Content
For terminologies related to Principles go, to: 原則 Gensoku (Principles)
For terminologies related to Ranking System, go to: 礼法/礼儀/礼式/行儀 Etiquette » 道着Dōgi / 空手着Karategi / 稽古着 Keikōgi » 段位 Dani / Ranking System
For Kata names, go to: Links » Shito-ryu Kata
| Karate-dō | 空手道 | the way of the empty hand | |
| Shitō-ryū | 糸東流 | ‘Shitō’ style Note: the name ‘Shitō (糸東)’ is formed from the first kanji (Chinese ideogram) of the family names of both his masters: ‘Ito (糸)’ , also read as “shi”, from ‘Itosu (糸洲)’ , and ‘Higa (東)’, also read as “tō”, from ‘Higaonna (東恩納)’. One (1) of four (4) major styles of Japanese Karate. |
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| Shōtōkan(-ryū) | 松濤館(流) | Shōtō/‘Pine-wave’ school (style) Note: the name ‘Shōtō (松濤)’ is the pen name of the founder. One (1) of four (4) major styles of Japanese Karate. |
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| Gōjū-ryū | 剛柔流 | Hard-soft style Note: One (1) of four (4) major styles of Japanese Karate, and one (1) of four (3) major styles of modern Okinawan Karate. | |
| Wadō-ryū | 和道流 | Wadō / Harmony / ‘Japanese-style Way’ style Note: One (1) of four (4) major styles of Japanese Karate. |
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| Shōrin-ryū | 小林流 ・松林流 ・少林流 |
‘Shaolin’ style Note: Shōrin-ryū is not a single Karate ryūha, but various closely related ryūha founded by different masters who gave the same name as homage to Shaolin Kung Fu but spelt differently for distinctions. One (1) of four (3) major styles of modern Okinawan Karate. |
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| Uechi-ryū | 上地流 | Uechi style Note: “Uechi (上地)” is the family name of the founder. One (1) of four (3) major styles of modern Okinawan Karate. |
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| Ryūei-ryū | 劉衛流 | ‘Ryūei’ style Note: The name ‘Ryuei (劉衛)’ was chosen to sound similar to the founder’s master Ryu Ryu Ko as homage. |
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| Kyokushin | 極真 | The Ultimate Truth | |
| Budō | 武道 | martial arts; military arts; Japanese modern martial arts formalised during or after the Meiji period (明治時代; 1868 – 1912) | |
| ryū | 流 | style/method/manner of; school (of thought) | |
| ha | 派 | clique; faction; school | |
| ryūha | 流派 | mainstream school (of thought) | |
| karateka | 空手家 | karate practitioner |
| rei | 礼 | bow |
| reihō | 礼法 | etiquette; courtesy; manners |
| reigi | 礼儀 | manners; courtesy; etiquette |
| reishiki | 礼式 | etiquette; manners |
| gyōgi | 行儀 | manners; behavior; behaviour |
| ritsurei | 立礼 | standing bow |
| zarei | 座礼 | seated bow |
| shitsurei shimasu | 失礼します | excuse me (said upon entering the dōjo or when approaching the sensei to ask assistance) |
| akurei mashite sumimasen | 悪例況して 済みません |
I am sorry, not to mention my bad example (said aloud on seiza by students who arrive late) |
| onegai shimasu | 御願い仕ます | please – humble language |
| yorōshiku onegai shimasu |
夜露死苦 御願い仕ます |
please treat me favourably, please (said to a training partner upon commencing training with the partner) |
| arigatō gozaimasu | 有り難う 御座いました |
thank you very much (present tense; used when the action your thanking for is still in action) |
| arigatō gozaimashita | 有り難う 御座いました |
thank you very much (past tense; used when the action you’re thanking for is complete) |
| hai | はい | Aye; Yes!; (to show enthusiasm, agreement and respect; In karate, “ossu” is used heavily in Shōtōkan, but not a tradition of Shitō-ryū and most ryūha.) |
| osu / ossu | 押忍・押っ忍 | yes; that is correct - polite language; understood; I see; OK; okay; present; here - as a response to a roll call; pardon?; what's that?; come again? |
Related reading: 礼法/礼儀/礼式/行儀 Etiquette
| karategi | 空手着 | karate uniform (lit. karate wear) |
| keikōgi / dōgi | 稽古着・道着 | training uniform (lit. training wear / lit. ‘the Way’ wear) |
| uwagi | 上着 | the jacket portion of the karategi |
| zubon | ズボン | the trousers portion of the karategi (from French) |
| obi | 帯 | belt |
Related reading: 礼法/礼儀/礼式/行儀 Etiquette » 道着Dōgi / 空手着Karategi / 稽古着 Keikōgi
| honbu dōjo | 本部道場 | main dōjo; dōjo headquarters |
| kamiza | 上座 | chief seat; seat of honour; ‘front’ of the dōjo |
| shimoza | 下座 | lower seat; ‘rear’ of the dōjo – south of the dōjo, where the kamiza is north |
| genkan | 玄関 | entranceway; entrance of the dōjo – ideally west side of the shimoza |
| joseki | 上席 | seniority; precedence; upper seat; senior side of the dōjo – east side of dōjo; if the genkan is on the east, the joseki shall be in the west |
| shimoseki | 下席 | lower seat/position; junior side of the dōjo – west side of the dōjo; if the genkan is on the east, the shimoseki shall be in the east |
| enbujō | 演武場 | centre of the dōjo |
Related reading: 礼法/礼儀/礼式/行儀 Etiquette » 道場 Dōjō
| seiza | 正座・正坐 | sitting correctly (Japanese-style); sitting (or squatting) straight |
| mokuso | 黙想 | meditation; silent contemplation |
| kaimoku | 開黙・開目 | open eyes |
| shomen ni rei | 正面に礼 | bow to the front |
| sensei ni rei | 先生に礼 | bow to the teacher |
| otagai ni rei | 御互いに礼 | bow to each other |
Related reading: 礼法/礼儀/礼式/行儀 Etiquette » Bowing Ceremonies
| kihon | 基本 | fundamentals (lit. foundation; basis; standard) |
| kata | 型・形 | prescribe form of patterns |
| kumite | 組み手・組手 | fighting; sparring (lit. meeting of the hands) |
| waza | 技 | technique; art |
| uke | 受け・請け・承け | block |
| tsuki / -zuki (as suffix) | 突き | punch (lit. stab, thrust) |
| uchi | 打ち | strike |
| keri / -geri (as suffix) | 蹴り | kick |
| tachi / -dachi (as suffix) | 立ち | stance |
| nage | 投げ | throw; takedown |
| ryūso | 流祖 | bud. founder |
| sōke | 宗家 | bud. grandmaster (originator; head of family) |
| shihan | 師範 | bud. master level instructor |
| kanchō | 館長 | director |
| menkyo | 免許 | bud. teaching licence (lit. licence; permit; certificate) |
| sensei | 先生 | teacher; anyone who is an expert in the field in subject (lit. prior life) |
| deshi / teishi | 弟子 | student |
| sempai | 先輩 | senior |
| dohai | 奴輩 | bud. peer of equal level |
| kōhai | 後輩 | junior |
| keikō | 稽古 | practice; practise; training; study |
| keikōdai | 稽古台 | training partner |
| kiwotsuke | 気を付け | (stand to) attention! |
| yōi / kamaete | 用意・構えて | ready!; attention / posture! |
| tate / kiritsu | 立て・起立 | stand up; rise |
| narande | 並らんで | line up! |
| seiretsu | 整列 | line up (by rank) |
| kyukei | 休憩 | rest; break; recess; intermission |
| hajime | 初め・始め | begin; start |
| yame | 止め・留め | stop; halt; end |
| naote | 治て | at ease; relax |
| mate | 待て・俟て | wait |
| hantei | 判定 | judgment; decision; award; verdict |
| susunde | 進んで | advance (step forward) |
| sagatte | 下がって | retreat (step backward) |
| hantai mawate | 反対回て | turn around to the opposite direction |
| ashi hantai | 足反対 | switch legs (on stance) |
| ido shiki | 移動指揮 | movement commands |
| renzoku kihon | 連続基本 | fundamental combinations |
| shihō uke | 四方受け | every direction defence |
| hanmi / hanshin | 入身 | lit. half-body (A diagonal posture in which only half of the body is turned against the opponent, instead of the whole body. It is a convenient posture to protect oneself by narrowing the enemy's attack area.) [69, 70] |
| irimi hanshin / nyūmi hanshin | 入身半身 | lit. enter-body half-body (kar. moving into hanmi/hanshi (半身) posture.) [69, 70] |
| gyaku hanmi | 逆半身 | lit. reverse half-body |
| enbusen | 演武線 | kar. the kata’s path of movement (lit. martial (arts) performance line) |
| tai sabaki | 体捌き | body shifting |
| bunkai | 分解 | kar. the process of analysing and extracting fighting techniques from the movements of a kata (lit. analysis) |
| ōyō | 応用 | kar. the fighting techniques or application extracted from movements from a kata (lit. application; put to practical use) |
| kokyū | 呼吸 | breath |
| ritsudō | 律動 | rhythm |
| nagare | 流れ | flow |
| chakugan | 着眼 | kar. gaze (lit. notice; attention; viewpoint; observation; aiming at; having an eye to |
| kumite gamae | 組み手構え | sparring posture/stance |
| hidari gamae | 左に手構え | left (sparring) posture – left leg as the leading-leg |
| migi gamae | 右に手構え | sparring posture/stance |
| kihon kumite | 基本組み手 | fundamental/basic sparring [71,72] |
| ippon kumite | 一本組手 | one step sparring |
| nihon kumite | 二本組手 | two step sparring |
| sanbon kumite | 三本組手 | tree step sparring |
| fukushiki kumite | 複式組組手 | duplicate sparring [71,72] |
| kumite kata | 組手み形 | sparring kata (forms) [71,72] |
| ōyō kumite | 応用組み手 | applied sparring [71,72] |
| jiyu kumite | 自由組手 | free sparring |
| jiyu ippon kumite | 自由一本組手 | one step free sparring |
| randori | 乱取り・乱捕り | free-style practice (uninterrupted sparring) |
| jigeikō | 地稽古 | field training – sparring practice where the objective is not to win but to practice the execution of techniques and tactics |
| shiai geikō | 試合稽古 | practice match – sparring practice where the objective is to win like in a competition match |
| bōgu | 防具 | protective equipment; armour |
| sun dome | 寸止め | kar. inch stop – stopping [a technique] just before [making contact] (lit. edging) |
| maai | 間合い | distancing |
| tsukuri | 作り | kar. setting-up |
| hyōshi | 拍子 | kar.timing |
| engo waza | 援護技 | kar. follow-up techniques |
| kōgeki | 攻撃 | lit. attack; strike; offensive; criticism; censure |
| bōgeki | 防撃 | kar. defence |
| kawashi | 躱し | dodge |
| jōdan | 上段 | upper level |
| chūdan | 中段 | middle level |
| gedan | 下段 | lower level |
| seichūsen | 正中線 | kar. centre line - vertical line passing through the centre of the person’s body (lit. median line) |
| yoko | 横 | side |
| uchi | 内・中 | inner |
| soto | 外 | outer |
| age | 上げ | rising |
| otoshi | 落とし | dropping |
| ryote | 両手 | (with) both hands |
| morote | 諸手・双手 | (with) both hands (synonymous to ryote) |
| niren | 二連 | double |
| sanren | 三連 | triple |
| rei / zero | 零・〇* | zero |
| ichi | 一 | one |
| ni | 二 | two |
| san | 三 | three |
| shi / yon | 四 | four |
| go | 五 | five |
| roku | 六 | six |
| shichi / nana | 七 | seven |
| hachi | 八 | eight |
| kyū | 九 | nine |
| jū | 十 | ten |
| jūichi | 十一 | eleven |
| jūni | 十二 | twelve |
| jūsan | 十三 | thirteen |
| nijū | 二十 | twenty |
| nijūichi | 十一 | twenty-one |
| nijūni | 十二 | twenty-two |
| nijūsan | 十三 | twenty-three |
| sanjū | 三十 | three |
| shijū/yonjū | 四十 | four |
| hyaku | 百 | one hundred |
| yoko uke | 横受け | side block |
| gedan barai (uke) (gedan) harai uke |
下段払い(受け) (下段)払い受け |
lower-level sweep/parry (block) (lower-level) sweep/parry block Note: Gedan barai (下段払い) is more commonly used in Shitō-Kai/WSKF as well as Shōtōkan. Seitō Shitō-ryū officially uses harai uke (払い受け). |
| hara uke | 腹受け | abdomen block |
| age uke | 上げ受け | rising block |
| yoko uchi (uke) | 横打ち(受け) | side strike (block) |
| shutō uke | 手刀受け | knife-hand block |
| (gedan) shutō barai (uke) | (下段)手刀払い(受け) | (lower-level) knife-hand sweep/parry (block) |
| chūdan zuki | 中段突き | middle-level punch |
| jōdan zuki | 上段突き | upper-level punch |
| gedan zuki | 下段突き | lower-level punch |
| kizami zuki | 刻み突き | chop punch (jab) |
| gyaku zuki | 逆突き | reverse punch |
| oi zuki | 追い突き | lunge punch |
| (all the punches can be preceded with chūdan (中段), jōdan (上段) or gedan (下段) to indicate middle, upper and lower levels.) | ||
| ura zuki | 裏突き | inverted punch |
| tateken zuki | 縦て拳突き | vertical-fist punch |
| age zuki | 上げ突き | rising punch |
| furi zuki | 振り突き | swing punch |
| kagi zuki | 鉤突き・鈎突き | hook punch |
| uraken uchi / ura uchi | 裏拳打ち・裏打ち | inverted-fist strike / inverted strike |
| hiji ate | 肘当て | elbow hit |
| hiza ate | 膝当て | knee hit |
| mae geri | 前蹴り | front kick |
| mawashi geri | 回し蹴り | round(house) kick |
| yoko geri | 横蹴り | side kick |
| sokutō geri | 足刀蹴り | knife-foot kick (interchangeable with yoko geri but emphasising on the point of contact; a yoko geri that doesn’t use the knife of the foot shouldn’t be called sokutō geri) |
| heisoku dachi | 閉足立ち | closed-feet stance |
| musubi dachi | 結び立ち | ending/conclusion/union stance |
| namiheikō dachi | 並平行立ち | abreast parallel stance Note: In Seitō Shitō-ryū syllabus, it refers to the stance where both feet are placed abreast, shoulder width apart and pointing forward. In Shitō-Kai/WSKF (World Shitō-ryū Karate-dō Federation) and other ryūha, this is called heikō dachi (平行立ち・併行立ち・並行立ち). |
| heikō dachi | 平行立ち・併行立ち・並行立ち | parallel stance Note: In Shitō-Kai/WSKF syllabus, and Shōtōkan, Gōjū-ryū, Wadō-ryū and most ryūha, this refers to what namiheikō dachi (並平行立ち) is to the Seitō Shitō-ryū syllabus. In Seitō Shitō-ryū syllabus, heikō dachi (平行立ち・併行立ち・並行立) refers to a stance with one feet placed forward at walking pace distance and at shoulder with, similar to moto dachi (基立ち) but where both feet are facing forward. |
| soto hachiji dachi | 外八字立ち | outer eight(八)-character stance |
| shizentai | 自然体 | natural posture (Interchangeable with soto hachiji dachi) |
| uchi hachiji dachi | 内八字立ち | inner eight(八)-character stance Note: Stance with feet placed abreast at just slightly wider than the shoulder with the feet pointing inwards at about 45° angle or less. This is the inverse of soto hachiji dachi (外八字立ち). In Seitō Shitō-ryū syllabus, this can also refer to what is called sanchin dachi (三戦立ち) in the Shitō-Kai/WSKF syllabus as well as most other ryūha. |
| naihanchi dachi Uchinaaguchi: naifanchi dachi Also: naihanchin dachi Uchinaaguchi: naifanchin dachi Also: naihanchen dachi Uchinaaguchi: naifanchendachi dachi |
内歩進・内步進立ち 内畔戦立ち 内範置立ち |
inner-step-advanced stance (ii) inner-levee-battle stance (iii) inner-patter-placement stance (interchangeable with uchi hachiji dachi) Note: interchangeable with the more common definition uchi hachiji dachi (内八字立ち), i.e. feet abreast slightly wider than the shoulder with the feet pointing outwards at about 45° angle or less.), but sometimes used to refer to sanchin dachi (三戦立ち) as well. For both versions; legs are bent until the knees and toes line up vertically, both knees squeezed inwards, tighten your buttocks and pelvis is pushed forward, and with a strong feeling of tanden (丹田). |
| shiko dachi | 四股立ち | square/rectangle stance |
| moto dachi | 基立ち | foundation stance |
| zenkutsu dachi | 前屈立ち | front-bent stance |
| hanzenkutsu dachi | 半前屈立ち | half-front-bent stance |
| nekoashi dachi | 猫足立ち | cat-feet stance |
| kōkutsu dachi | 後屈立ち | back-bent stance |
| sanchin dachi | 三戦立ち | three battle stance Note: When one feet is forward; the front foot points 45° inwards and the rear-foot points forward, the front heel and back toes are on a straight line. Legs are bent until the knees and toes line up vertically, both knees squeezed inwards, tighten your buttocks and pelvis is pushed forward, and with a strong feeling of tanden (丹田). In Seitō Shitō-ryū syllabus, this is one of two stances called uchi hachiji dachi (内八字立ち). |
| lit. | - | literal translation |
| col. | - | colloquialism |
| kar. | - | Karate-dō terminology definition |
| bud. | - | Budō (modern Japanese martial arts) terminology definition |
Note: This reference section combines all references from 礼法/礼儀/礼式/行儀 Etiquette, Terminologies and 原則 Gensoku (Principles)
[1] Persatuan Shito-ryu Karate-do Malaysia / Malaysian Association of Shito-ryu Karate-do (M.A.S.K.) Complete Instructor Manual, Version 3 ed., Kuala Lumpur: (M.A.S.K.), Persatuan Shito-ryu Karate-do Malaysia / Malaysian Association of Shito-ryu Karate-do, October 2010.[2] D. Lowry, In the Dojo: A Guide to the Rituals and Etiquette of the Japanese Martial Arts, 1 ed., Boston, Massachusets: Waterhill, 2006, pp. 116-133.
[3] 剣道授業の展開、新中学校学習指導要領に準拠した 安全で効果的な, ダイジェスト版第4版 ed., Tokyo, Japan: 公益財団法人・全日本剣道連盟, 2020.
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[24] Shimano, “剣道読本,” Shimano, [Online]. Available: http://www.st.rim.or.jp/~shimano/doujo/books/tokuhon.html. [Accessed 15 July 2025].
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